The Tape-Covered Gift

The other day I told Orlando to stop acting like a two-year-old.

I heard the words come flying out of my mouth — in frustration, out of mis-expectation, and in the end, weighted with meaninglessness. As if I could sprinkle magic maturity dust upon him, as if I wanted to.

Later I had the idea to give myself some homework. I decided to watch home videos of him when he was two years old.

I woke up early and turned on the computer. I was inundated with hundreds — thousands! — of photos, of both kids, back from ancient times. I was laughing and crying, and Rom, who was trying to get some work done, came over and joined in.

Turns out (no surprise!) that Orlando wasn’t acting like a two-year-old, because a two-year-old is a tiny baby. So little and talking all mish-mouthy with a squeaky voice. Two years old is a different animal, rounder and softer, so directly imitating me and his Papa, talking in two-word sentences and pointing a lot, with very big eyes.

And it turns out that Orlando has really only been ever “acting” one way: himself. My god, it was amazing to watch a video of a child at two, and then be downstairs at the kitchen counter and have the same child, seven years later, walk in and say the exact words I watched him say onscreen only moments ago!

And then to carry that holographic image of the two-year-old all day, to see the chub of his cheeks around those now-big teeth, to hear his floppy feet slapping the floor amidst the assured, smooth gait.

To remember, once again, how these kids are somehow always whole and wholly themselves while constantly forming and maturing and changing. And to remember how much we laughed — oh, the antics!! Tying every scarf in the house around their bodies, eating ice cream while simultaneously signing “more! more! more!”, how every word out of their mouths was a gift wrapped in crooked paper with a hundred pieces of tape — incredibly endearing and so, so sticky.

It’s such a cliché, isn’t it? To not make them grow up too fast, to stay alive to the people they are and to do our very best to honor them and nurture them, and to never forget to laugh, and to be kind.

Well, I’ll take it. I’ll take the tape-covered gift, hold it in my hands, and I won’t get stuck. I’ll unwrap it slowly, and we’ll keep moving along, continually making way for our always-selves.

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Living Poetry

The talent show features headstands, songs, drums, popping balloons, bubble-blowing contests, pirates, dancing, and more. Twice a year, the folks who live here in cohousing get up and show our stuff!

Last winter, Rom and I did a swing dance number together — he is the pro and taught me what to do and basically just tossed and pulled me all over the place while I looked cute in my little black-and-red dress and bobby socks. It was fun!

And right after that talent show, in which my heart and eyes and soul were filled up with these wonderful people, aged 2 to 86, who get out and put it out there, I went home and knew exactly what I wanted to do for the next talent show.

I wanted to talk a little bit about Hakomi, and I wanted to share some poems that I’ve received from my Hakomi teachers. So I went home and wrote something and then promptly forgot about it.

Well, suddenly, it was five months later and time for the next talent show. I got out what I had written, I rewrote it, and I read and reread and chose some poems, and signed myself up.

Orlando signed himself up, too — to do a headstand, a long headstand wherein he walked in the air, did the splits, pressed the bottom of his feet together and then took a completely awkward and lovely bow, twice.

But me, I got up there and I talked a little bit, and then I read two poems. It was great, and fun, and all that speech and drama I did in high school came out, and I stood up there, very calm and centered, at ease, and I talked slowly and made eye contact and smiled. Ha! But boy my heart was pounding so fast right before I went on.

That’s because it has been hard for me to put myself out there… living here has actually made me acutely aware of how introverted I am, or at least how much a part of me is. Trying not to be seen but knowing that I’d like to be seen. So, I just did it.

And I was seen.

Because people came up to me afterward and asked about the poems — I shared this one, and this one — and asked about Hakomi, and told me how beautiful it was that I had this community of people through Hakomi, how much they loved those poems, and they thanked me for sharing, and one person told me he was inspired to share his favorite poems, and on and on, and that was good.

And then it kept going on… because there is a man here who is so wonderful and has babysat my kids a few times. They love him and he loves them, and they have fun, and in the past I’ve thanked him with brownies and this last time I was going to offer him beer but I hadn’t gotten the beer yet and because of the poem I read he told me that one of the poets was going to read at the Skagit Poetry Festival in a couple of weeks, along with his favorite poet, and I knew right then.

I went home and bought him a ticket to the festival and offered it to him — again, this process of giving is a stretch for me, I talk myself out of it, telling myself I have nothing to offer. I don’t think it used to be this way, but I am growing into it again, and so I offered him the ticket without qualifications, something from my heart to his, and he went with his partner and they had a wonderful time. And he told me all about it, and he was so delighted and I was, too.

And that is what I wanted to tell you about: this poetry in motion that is our lives.

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